![]() Jerry Elengical: Why was the abandoned shell of this tobacco factory chosen as the site for this project? The multicoloured tile assemblies being put together on site Image: © Klumpner Chair of Architecture and Urban Design ETHZ / Alejandro Arango and Luis Bernardo Cano Aside from this, the realisation of the Fábrica de Cultura also featured sustainable design measures such as the inclusion of a green corridor around the development, as well as the use of solar panels along the structure’s roof, in honouring the architects’ reverence for the locale and its preservation. ![]() Enclosed by railings of wound metal tubes that resemble hairpins and add a further sense of movement to the composition, this element is undoubtedly one of the structure’s highlights, assembled using box sections joined together to create smooth curves. Reminiscent of the iconic external ramp of Oscar Niemeyer's Niterói Contemporary Art Museum in Rio de Janeiro, Brazil, the spiral stair slices through the structure against the backdrop of a varicoloured tiled wall, building vertical and diagonal view relationships between levels. Varicoloured tiled walls echo the flooring of the internal courtyard and inject vibrancy to the interior design Image: © Klumpner Chair of Architecture and Urban Design ETHZ / Alejandro Arango and Luis Bernardo CanoĪt the concrete frame's heart, a swirling red staircase design injects a bold burst of energy to the interior scheme, cascading down to the plaza itself. In essence, the institutional building's design utilises vernacular architectural practices, behavioural patterns, and fabrication techniques to craft a flexible building prototype dedicated to local arts and culture, with spaces that could be reprogrammed over time. ![]() The multicoloured tiling patterns implemented here also extend to the interior design of the new building, which contains a stacked framework of covered and uncovered spaces - including a vast auditorium crowned by a stunning vaulted brick ceiling. A public space at the ground level with a floor dressed in a vibrant assortment of coloured tiles separates the old structure from the new, providing an open-air venue for interaction while knitting the institutional design and its diverse functions into a harmonious whole. This configuration reinterprets the industrial aesthetic through a more contemporary lens, when compared to the colonial-style exterior of the old building, as the two structures depict a progression through time. The new facility is operated by the Municipality of Barranquilla and will offer educational services in 11 vocations to local residents, in support of the carnival Image: © Klumpner Chair of Architecture and Urban Design ETHZ / Alejandro Arango and Luis Bernardo Canoĭirectly contrasting the old structure, the new building, realised between 2018-2021, features an exposed concrete frame structure, sheathed in a rhythmic ensemble of façade panels and expanded metal mesh enclosures. Prior to its opening, the project’s drawings and models were also showcased by ETH Zurich during the 17 th Venice Architecture Biennale in 2021. Additionally, the venture was aided by international collaborations with entities such as the Universidad del Norte de Barranquilla (UniNorte), among others. Philippe Block, Co-Director of the Block Research Group (BRG) at ETH Zurich. ![]() Arno Schlueter, Head of the Institute of Technology in Architecture (ITA), as well as Prof. For this sensitive and culturally significant endeavour, the project team also included the groups of Prof. The project was part of the larger 'Colombia Urban Transformation Program' (2014 - 2022), structured as a collaboration between the Swiss State Secretariat for Economic Affairs (SECO) and the Inter-American Development Bank (IDB), seeking to transform low-income areas in Colombian cities through multifunctional, innovative, and energy efficient architectural interventions. Hubert Klumpner, were charged with creating a 'maker space', that would accommodate the workshops and auxiliary activities that both aid in the production of the carnival, and the dissemination of knowledge and vocational training related to the event’s heritage and practices. In support of this hallowed tradition that permeates every aspect of urban life in Barranquilla over its duration, a group of researchers from the D-ARCH Chair of Architecture and Urban Design at the Swiss Federal Institute of Technology (ETH Zurich), headed by Austrian architect Prof. The project found its site in the shell of a former tobacco factory, featuring an ornate, colonial-style façade Image: © Klumpner Chair of Architecture and Urban Design ETHZ / Alejandro Arango and Luis Bernardo Cano
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